{"id":9946,"date":"2021-05-07T22:24:04","date_gmt":"2021-05-07T13:24:04","guid":{"rendered":"https:\/\/www.capcom.co.jp\/ir\/?page_id=9946"},"modified":"2023-12-05T10:22:35","modified_gmt":"2023-12-05T01:22:35","slug":"2020","status":"publish","type":"page","link":"https:\/\/www.capcom.co.jp\/ir\/english\/interview\/2020.html","title":{"rendered":"Developer Interviews 2020"},"content":{"rendered":"\n<div class=\"pg-interview-2020-vol01\">\n                            <div class=\"vi01 is-pc\">\n                                <img decoding=\"async\" src=\"\/ir\/english\/assets\/images\/interview\/2020\/vol01\/img_main02.png\" class=\"photo\">\n                                <div class=\"profile clearfix\">\n                                    <div class=\"profBox\">\n                                        <p class=\"name\">Tsuyoshi Kanda<\/p>\n                                        <p class=\"alpha\"><em>Resident Evil Village<\/em> Producer<\/p>\n                                    <\/div><!--\/\/profBox-->\n\n                                    <div class=\"profs\">\n                                        <p>Joined Capcom in 2002. After being involved in domestic marketing and overseas-related business, was assigned to Capcom U.S.A. in 2008. Returned to Japan in 2015 and became a producer. Worked as producer on <em>Resident Evil 7 biohazard<\/em> and this title. <\/p>\n                                    <\/div>\n                                <\/div>\n                                \n                                <!--\/\/profile-->\n                            <\/div>\n                                \n                            <div class=\"vi01 is-sp\">\n                                <img decoding=\"async\" src=\"\/ir\/english\/assets\/images\/interview\/2020\/vol01\/img_interview2020_main01.png\" class=\"sp_vi\">\n                                <img decoding=\"async\" src=\"\/ir\/english\/assets\/images\/interview\/2020\/vol01\/img_main02.png\" class=\"photo\">\n                                <div class=\"profile clearfix\">\n                                    <div class=\"profBox\">\n                                        <p class=\"name\">Tsuyoshi Kanda<\/p>\n                                        <p class=\"alpha\"><em>Resident Evil Village<\/em> Producer<\/p>\n                                    <\/div><!--\/\/profBox-->\n\n                                    <div class=\"profs\">\n                                    <p>Joined Capcom in 2002. After being involved in domestic marketing and overseas-related business, was assigned to Capcom U.S.A. in 2008. Returned to Japan in 2015 and became a producer. Worked as producer on <em>Resident Evil 7 biohazard<\/em> and this title. <\/p><\/div>\n                                <\/div>\n                            <\/div>\n                            \n                            \n                            \n                            <!--\/\/vi01-->\n\n\n                            <div class=\"contentIn after2014\">\n\n                                <div class=\"bg_village\">\n                                    <div class=\"titleArea\">\n                                        <h3>Overcoming Fear \u2014 25 Years of <em>Resident Evil<\/em><\/h3>\n                                    <\/div>\n                                    <div class=\"text\">\n                                            <h4 class=\"subtitle\">\n                                                The Ever-evolving <em>Resident Evil<\/em> Series<br>\n                                                Taking Players into the World of Survival Horror\n                                            <\/h4>\n                                            <dl>\n                                                <dt>The<em> Resident Evil<\/em> series celebrated its 25<sup>th<\/sup> Anniversary in March 2021. Why do you think the series has been such a hit with the fans for so long?<\/dt>\n\n                                                <p><img decoding=\"async\" src=\"\/ir\/english\/assets\/images\/interview\/2020\/vol01\/img_p01.png\" class=\"rightimg\"><\/p>\n                                                <dd>\n                                                    <p>I think one big reason is because it established this brand-new genre of &#8220;survival horror&#8221; in the 1990s. The first <em>Resident Evil<\/em> game didn\u2019t gain a lot of attention when it was first released, but it built up steam through word of mouth when people told each other how scary and fun it was. When the second game rolled around, we had record breaking sales. Since then, there have also been six Hollywood movie adaptations and even theme park attractions. This created more fans even among those who have never played the games. <em>Resident Evil<\/em> as a brand has really saturated the globe.<\/p>\n\n                                                    <p class=\"mT15\">Striving to create entertaining games is also a big part of Capcom\u2019s DNA. We have always tried new things as the series has progressed, evolving <em>Resident Evil<\/em> to what it is today. Generations of directors and producers, the entire staff really, have developed each game with the goal to surpass the previous one. And it\u2019s thanks to all the people who have cherished each and every game that we\u2019ve reached this milestone of 25 years.<\/p>\n                                                <\/dd>\n\n                                                <dt>The remakes have also been very popular as well, haven\u2019t they?<\/dt>\n                                                <dd>\n                                                    Thankfully! There was a huge demand from the fans which led to the development of the reimagined <em>Resident Evil 2<\/em> and <em>Resident Evil 3<\/em>. We received a lot of positive feedback to those games, not just from established fans but from people new to the series too. We\u2019ve also been more proactive about digital releases in recent years, including titles from our back catalog; last year we carried out sales campaigns coinciding with title releases, which led to <em>Resident Evil<\/em> being the first Capcom game franchise to break 100 million units shipped worldwide. \n                                                <\/dd>\n                                                \n                                                <dt>There was also a recent announcement about an animated series.<\/dt>\n                                                <dd>Yes, <em>Resident Evil: Infinite Darkness<\/em>. It\u2019s the first CGI dramatic series that is fully animated in 3D and is scheduled to be streamed worldwide exclusively on Netflix. A brand-new live-action Hollywood movie with a completely new cast and director is also in the works.<\/dd>\n\n                                                <p class=\"txtC mB25\"><img decoding=\"async\" src=\"\/ir\/english\/assets\/images\/interview\/2020\/vol01\/img_p02.png\" alt=\"\"><\/p>\n                                                \n                                                <dt>Why do you think the unique horror in the <em>Resident Evil<\/em> series is so appealing?<\/dt>\n                                                <dd>Unlike traditional horror, I think there is this catharsis from the achievement the player gets from overcoming their fears\u2014which is something that is unique to games. We\u2019re always trying to meet the fans expectations with a wide variety of weapons and puzzles built in amongst the difficult situations that bombard the player, one after another.<\/dd>\n\n                                                <dt>So, it\u2019s not simply a matter of making players afraid?<\/dt>\n                                                <dd>\n                                                    Exactly. Just as players get comfortable after a few scenes of more serious plot progression, they&#8217;ll be confronted with terrifying creatures that attack out of nowhere or cross paths with interesting characters; still, bit by bit, they push forward to overcome their fears and put the pieces of the larger mystery together. Deep elements of character and drama are threaded by a core of horror throughout, all working with the added dimension of each player\u2019s approach to the game\u2014I think experiencing the limits of fear and that release of catharsis embodies the <em>Resident Evil<\/em> series.\n                                                <\/dd>\n                                            <\/dl>\n\n                                        <div class=\"sectionch\">\n                                            <h4 class=\"mT15 subtitle\">Photo Realistic Beauty with Heart-racing Fear<br>Unprecedented Horror Set in a Frozen Village<\/h4>\n                                        <\/div>\n\n                                        <dl class=\"mT30\">\n                                            <dt>The latest installment in the series, <em>Resident Evil Village<\/em>, is almost here.<\/dt>\n                                            <dd>Yes, it\u2019s the next mainline entry in the series, set four years after <em>Resident Evil 7 biohazard<\/em>. The story revolves around the same protagonist, Ethan.<\/dd>\n\n                                            <dt>It\u2019s interesting how you did the &#8220;eight&#8221; in the title.<\/dt>\n                                            <img decoding=\"async\" src=\"\/ir\/english\/assets\/images\/interview\/2020\/vol01\/img_p03.png\" class=\"rightimg\">\n\n                                            <dd>If you look at the <em>Village<\/em> logo, you can see how we stylized it with the roman numeral for VIII. As the name suggests, the player will experience a new survival horror game as they make their way through a creepy snow-covered village.<\/dd>\n\n                                            <dt>So, what\u2019s new in this game?<\/dt>\n                                            <dd>\n                                                We\u2019ve kept some of the European-style gothic aspects of horror from the first <em>Resident Evil<\/em>, but added this sense of terror that accompanies a desperate struggle. We took full advantage of the hardware in order to deliver an onslaught of blood-thirsty creatures onscreen simultaneously, howling and growling while they viciously pursue the player, giving rise to unprecedented levels of panic. There\u2019s also a lot more to do in this game compared to others in the series, so I hope people enjoy it. \n                                            <\/dd>\n\n                                            <p class=\"txtC mB25\"><img decoding=\"async\" src=\"\/ir\/english\/assets\/images\/interview\/2020\/vol01\/img_p04.png\" alt=\"\" class=\"max-width\"><\/p>\n\n                                            <dt><em>Resident Evil Village<\/em> will be on current and next-gen consoles, right?<\/dt>\n                                            <dd>As this is our latest game, developing an incredibly immersive gameplay experience for the new generation of consoles was one of our top priorities. Our target was a stress-free gaming experience, so we focused on optimizing the game in a way that greatly reduced load times despite the high-resolution graphics. We also wanted to ensure the combat was smooth on all platforms, so we\u2019ve been tweaking every detail right down to the wire to offer the best experience possible.<\/dd>\n\n                                            <dt>What did you do to create this immersive gameplay experience?<\/dt>\n                                            <dd>\n                                                <p>\n                                                    We\u2019re using the same first-person perspective as <em>Resident Evil 7 biohazard<\/em>, which we\u2019ve dubbed Isolated View, but designed it in a way that draws the player deep into the world without them realizing it. We took full advantage of the latest technology to shape the graphics and audio around this perspective to really draw the player in as if they were in that world at that moment.\n                                                <\/p>\n\n                                                <p class=\"txtC mT25 mB25\"><img decoding=\"async\" src=\"\/ir\/english\/assets\/images\/interview\/2020\/vol01\/img_p05.png\" class=\"max-width\"><\/p>\n\n                                                <p class=\"mT25\">\n                                                    For example, real-time ray tracing, which recreates light reflecting off surfaces, really brings the realistic, beautiful environments to life. This could be the fine shimmers reflecting off the floor, or the lifelike rendering of the water\u2019s surface, even the authentic feel of crockery and furniture in the castle. Meanwhile, while our audio design on the previous installment was lauded the world over, we\u2019ve taken our sound technology to another level, creating an immersive space that feels all too real\u2014so much so that the player can tell where enemies are coming from as they close in. We worked hard to improve the quality of gameplay with a combination of graphics and audio, perfect for the next generation of consoles.\n                                                <\/p>\n                                            <\/dd>\n\n                                            <dt>It sounds like you could almost mistake the game for reality. What else can you share?<\/dt>\n                                            <dd>This is a much more action-oriented game. We included the guard function from the previous game, but now it\u2019s possible to do a counter attack. You can also utilize furniture to build walls, so there are a few ways you can handle different situations. We have some more new tricks, but you\u2019ll have to check it out yourself. (laughs)<\/dd>\n\n                                            <p class=\"txtC mT25 mB25\"><img decoding=\"async\" src=\"\/ir\/english\/assets\/images\/interview\/2020\/vol01\/img_p06.png\" class=\"max-width\"><\/p>\n\n                                            <dt>I\u2019m getting excited just hearing about it!<\/dt>\n                                            <dd>I think that even if you\u2019ve never played a <em>Resident Evil <\/em>game before, you\u2019ll have a lot of fun as you try different strategies against enemies while also being terrified to the core.<\/dd>\n\n                                            <dt>Players can already try it out for themselves with the <em>Maiden<\/em> demo, right?<\/dt>\n                                            <dd>Yes, the <em>Maiden<\/em> standalone demo was released back in January. You play as a young woman trying to escape from Castle Dimitrescu, a location from the main game. I hope it gives players a sense of the detailed graphics in <em>Resident Evil Village<\/em>.<\/dd>\n\n                                            <p class=\"txtC mT25 mB25\"><img decoding=\"async\" src=\"\/ir\/english\/assets\/images\/interview\/2020\/vol01\/img_p10.png\" class=\"max-width\"><\/p>\n\n                                            <dt>You must have had a large team working on it for a game packed with this much detail.<\/dt>\n                                            <dd>We worked with domestic and international vendors, but internally we had a team of around 200 people. We actively sought out younger staff in order to train them as the next generation of developers. We also had our Quality Control Department send feedback from a player\u2019s perspective back to the developers. It was a system that took advantage of a wide variety of opinions and viewpoints to improve the overall quality of the game.<\/dd>\n\n                                            <dt>With such a major title I imagine the development process was long.<\/dt>\n                                            <dd>Typically, aiming for photorealism on the next generation of consoles can be a time intensive process, but thanks to Capcom\u2019s proprietary RE ENGINE, we had a flexible, efficient development environment optimized to the task, which significantly contributed to shortening development time.<\/dd>\n\n                                            <dt>So did the COVID-19 pandemic affect the development at all?<\/dt>\n                                            <dd>\n                                                To an extent, yes. The impact on developers with specialized technology, such as the motion capture studio and the Foley studio, meant our overall schedule was also affected. But we adopted countermeasures, such as remote work, staggered hours, and social distancing to prioritize safety for our staff. Another major change was to move all meetings to online video calls. Communication is essential to the development process, so we strived to make sure that wasn\u2019t interrupted. We were also able to maintain the quality of development with RE ENGINE and were even able to increase development speed a little. So, the overall impact on the project was kept to a minimum.\n                                            <\/dd>\n                                        <\/dl>\n\n                                        <div class=\"sectionch\">\n                                            <h4 class=\"mT15 subtitle\">Promotion on a Global Scale<br>Evolving the Brand During the Digital Shift<\/h4>\n                                        <\/div>\n                                        <dl class=\"mT30\">\n                                            <dt>As a producer, how were you involved on this project?<\/dt>\n                                            <p><img decoding=\"async\" src=\"\/ir\/english\/assets\/images\/interview\/2020\/vol01\/img_p7.png\" class=\"rightimg\"><\/p>\n\n                                            <dd>\n                                                I oversaw the overall process and managed the development team. I was also involved with the global marketing team and along with the relevant departments was in charge of maximizing revenue opportunities. We\u2019re currently working with vendors, domestic and international stores, as well as with the sales promotion department to promote the game in different regions before the game\u2019s release. However, effective promotion strategies vary between regions, so we coordinate very closely with one another on the finer details.\n                                            <\/dd>\n\n                                            <dt>I guess it\u2019s difficult to attend any face-to-face events because of the pandemic.<\/dt>\n                                            <dd>\n                                                <p>Yes. Every year we would attend major gaming shows like E3, Gamescom, and Tokyo Game Show, where we could show the game off to the fans. These were always a large part of our promotional plans. But with so many events canceled due to the pandemic, shifting to online opportunities was our best option. We\u2019ve put a lot of work into our digital promotions for this title.<\/p>\n\n                                                <p class=\"mT15\">First, we combined a number of our online services together into the Resident Evil Portal. The Portal doesn\u2019t just advertise the latest information and trailers, but it\u2019s also a place where players can show off their play data, and where we release other content players can enjoy. We designed it so it would appeal to not just hardcore <em>Resident Evil<\/em> fans, but to casual players too.<\/p>\n                                            <\/dd>\n\n                                            <dt> What plans do you have for the 25<sup>th<\/sup> <em>Resident Evil<\/em> anniversary?<\/dt>\n                                            <dd>\n                                                <p>\n                                                    One of the biggest things we\u2019re offering is the 25<sup>th<\/sup> anniversary multiplayer experience <em>Resident Evil Re:Verse<\/em>, which will be available for free for those who purchase <em>Resident Evil Village<\/em>. It\u2019s an online game where people play as their favorite characters from the series, competing to see who can get the most points in five-minute deathmatch rounds\u2014a different kind of fun than that of <em>Village<\/em>.\n                                                <\/p>\n\n                                                <p class=\"txtC mT25\"><img decoding=\"async\" src=\"\/ir\/english\/assets\/images\/interview\/2020\/vol01\/img_p08.png\"><\/p>\n\n                                                <p class=\"mT25\">We\u2019re also releasing the <em>Resident Evil Village Collector\u2019s Edition<\/em>, which comes with several premium items and a figure. It even includes special packaging that feels like it comes right out of <em>Resident Evil Village<\/em>.<\/p>\n                                            <\/dd>\n\n                                            <dt>It sounds like you have a lot in the works, but is there anything in particular you\u2019re excited about as a producer?<\/dt>\n                                            <dd>\n                                                As a producer, I would love it if we surpassed 10 million units around the globe for <em>Village<\/em>! <em>Resident Evil 7<\/em> has shipped more than 8.5 million units up to now, so I think that by running various strategic initiatives over time, including seasonal bargains and digital promotions, 10 million is not an impossible number.\n                                            <\/dd>\n\n                                            <dt>I\u2019m looking forward to the build-up before the game\u2019s release. Is there anything else you\u2019d like to say?<\/dt>\n                                            <dd>\n                                                At Capcom we\u2019re always pursuing new technologies and creative approaches, striving to create great games that will be enjoyed around the world. <em>Resident Evil Village<\/em> is no exception. We\u2019ve put our all into its development and promotions to bring you a gaming experience that will shake you to the core. I hope you are all looking forward to it!\n                                            <\/dd>\n                                        <\/dl>\n\n                                        <p class=\"txtC mB25\"><img decoding=\"async\" src=\"\/ir\/english\/assets\/images\/interview\/2020\/vol01\/img_p09.png\" class=\"max-width\"><\/p>\n\n                                    <\/div><!-- \/text -->   \n                                <\/div><!--\/\/-->\n                            <\/div>\n\t\t\t\t\t\t\t\n\t\n\t\t\t\t\t\t\t<h2 class=\"c-ttl-middle is-gray is-pc\">Developer Interview Archives<\/h2>\n<h2 class=\"c-ttl-middle is-gray is-sp\">Archives<\/h2>\t\t\t\t\t\t\t\n<ul class=\"c-backNumber\">\n<li>\n<a href=\"\/ir\/english\/interview\/2021.html\">2021<\/a>\n<\/li>\n\n<li>\n<a href=\"\/ir\/english\/interview\/2020.html\">2020<\/a>\n<\/li>\n<li>\n<a href=\"\/ir\/english\/interview\/2019.html\">2019<\/a>\n<\/li>\n<li>\n<a href=\"\/ir\/english\/interview\/2018.html\">2018<\/a>\n<\/li>\n<li>\n<a href=\"\/ir\/english\/interview\/2017.html\">2017<\/a>\n<\/li>\n<li>\n<a href=\"\/ir\/english\/interview\/2016.html\">2016<\/a>\n<\/li>\n<\/ul>\n\n\t\t\t\t\t\t\t\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Tsuyoshi Kanda Resident Evil Village Producer Joined Capcom in 2002. After being involved in domestic marketin [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":10056,"parent":9944,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template\/other.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-9946","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"lang":"english","translations":{"english":9946,"ja":404},"pll_sync_post":[],"_links":{"self":[{"href":"https:\/\/www.capcom.co.jp\/ir\/wp-json\/wp\/v2\/pages\/9946"}],"collection":[{"href":"https:\/\/www.capcom.co.jp\/ir\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.capcom.co.jp\/ir\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.capcom.co.jp\/ir\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.capcom.co.jp\/ir\/wp-json\/wp\/v2\/comments?post=9946"}],"version-history":[{"count":8,"href":"https:\/\/www.capcom.co.jp\/ir\/wp-json\/wp\/v2\/pages\/9946\/revisions"}],"predecessor-version":[{"id":23881,"href":"https:\/\/www.capcom.co.jp\/ir\/wp-json\/wp\/v2\/pages\/9946\/revisions\/23881"}],"up":[{"embeddable":true,"href":"https:\/\/www.capcom.co.jp\/ir\/wp-json\/wp\/v2\/pages\/9944"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.capcom.co.jp\/ir\/wp-json\/wp\/v2\/media\/10056"}],"wp:attachment":[{"href":"https:\/\/www.capcom.co.jp\/ir\/wp-json\/wp\/v2\/media?parent=9946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}